Posts Tagged ‘coustic guitar lesson’

Acoustic Guitar, Picks and Tone

Tuesday, November 3rd, 2009

I wrote about picks a while back, and how a thinner pick can be easier when starting out strumming the guitar. But i wanted to narrow the focus a bit more, and talk about a pick i have been enjoying lately. Its the Golden Gate. Below is a picture.

It comes in one thickness, heavy only, and as you can see, features pretty rounded edges. It may take a bit getting used to with folks who usually play with pointier picks. When i first started using them i found they would rotate in my grip alot.
 
The thing i like about this pick is it give a super warm, round, pleasing tone when playing single notes. Its not the loudest sound, so its not going to cut through with a bluegrass ensemble. But for solo playing, or one or two other instruments i think its great. Strumming chords is easy too, its not overly thick that its hard to push through the strings or you get alot of pick noise. That is problem I still have with the Wegen Trimus 350 pick i use, which is super thick pick. Strumming with it is still taking some getting used to. So the Golden Gate seems to offer a nice balance between being thick enough for a warm tone, and not to thick so strumming is difficult. I still do love my Wegen pick though, its just sometimes i like different flavors.
 
I think experimenting with different picks is important once you pass the beginning stage of guitar learning. They have such an impact on your sound, and often times you think you need a new guitar when you may just need a new pick.

Learning to Fingerpick the Guitar

Wednesday, October 28th, 2009

We have some great fingerpicking lessons here at Rhythmstrummer.com, most notably the two ones in our free guitar lessons section. I often see or talk to folks who want to learn to fingerpick the guitar, but do not really know where to start.
 
I think first it helps to identify what sort of music you want to play, though if you don’t know yet that is fine. There are kind of two schools of thought when it comes to picking hand position. The first are those play alot of alternating bass, and perhaps wear a thumbpick at times. Alternating bass style sounds best if you slightly mute the bass strings with the heel of your hand, which means dropping your wrist, which in turn puts your fingers at a different angle to the strings. I personally can’t play this way, it feels awkward picking the strings with my fingers and that i have no power. But i don’t play much alternating bass music, so don’t take my word for it. People like Chet Atkins, Merle Travis, and Tommy Emmanuel certainly don’t sound awkward.
 
The other position is a more classical position, with the wrist raised a bit, which to me gives the fingers power to pluck the strings. The finger plucks the string at an angle, not parallel, pivoting from the big knuckle, and drawing the tip of the finger back towards the palm. Be sure to keep enough tension in your finger joints so they don’t extend to much, which would cause you to brush the next adjacent string on your way back. I still have trouble with this. Try not to bounce off the string or bring the finger up after you pluck it, always follow through to the base of the palm. This may take some work.
 
So i just wanted to distinguish between those two schools of playing. Neither one is right or wrong, it just depends what kind of music you want to play. Some folks see musicians with a thumbpick and just think thats the only way to play, others think you have to study classical guitar. While i always feel some basic classical guitar training is good, both from a technique standpoint plus the advantage of learning to read music, it may not make sense if someone wants to learn to play alternating bass or country blues.
 
Moving onto simple songs. Besides the alternating bass lessons presented in the beginning of this post, i like House of the Rising Sun as a simple fingerpicking guitar song. It gets you in the mindset of assigning a certain finger to each string. We have a free lesson here which outlines the chords. For fingerpicking you are going to want to assign your index finger to the 3rd string, your middle finger to the 2nd string, and your ring finger to the 1st string. The main fingerpicking pattern for House of the Rising Sun involves what is called an appregio for the right hand. Lets take the first chord, A minor. You thumb is going to pluck the open 5th string, and then you will pluck the 3rd, 2nd, and 1st strings consecutively with the assigned fingers. The pattern is the same for all the other chords, except that the string the thumb plucks is going to change depending on the chord. The main rule of thumb, (pardon the pun), is that the string is the lowest note of the chord. So for the D chord its the open 4th string, for the F chord its the fretted 6th string, etc.
 
If folks are thinking about learning to take up fingerpicking guitar i hope that gives you some good basic information. And check out our free lessons for some easy guitar songs.
 

Pickups For Acoustic Guitar

Tuesday, September 29th, 2009

Pickup technology for acoustic guitar has come along way in the past twenty years. Previously a performer just stuck a mic in front of his guitar and hoped for the best. Now you can take a recording of your actual guitar, load that into a digital effects system, and create an amplified tone based on that acoustic recording. And that is just one of the many options.
 
The main problem with amplifying acoustic guitar is how do we reproduce the tone created by resonance inside the guitar body and the sound coming out of the soundhole. You could stick a little mic inside the guitar, and that would sound great for a small venue, and quiet, intimate playing. But turn up the volume and start to play harder, and that small mic is going to prone to massive amounts of feedback. How you plan to amplify your acoustic guitar is going to be based on your playing style, and what kind of shows you plan on playing. Lets look at some of the options.
 
Probably one of the widely used methods is the piezo pickup. It is usually a thin strip of tape that turns the vibrations of the guitar’s into an electric signal. Some models are mounted under the bridge, while more temporary systems can be attached to the outside of the guitar top with an adhesive. These pickups have the advantage of being highly feedback resistant, so they usually function well at higher volumes. The disadvantage is that they can sound artificial without some EQ. Musicians describe them as having a “quack” type of sound. So if you have a pickup like this it may take some manipulation with an equalizer before you an ideal amplified sound. Some setups use multiple piezo pickups mounted at various places on the underside of the top. These are then blended together into one signal to give an ideal representation of the guitar’s sound. The Fishman Matrix, K & K Pure Western, and McIntyre Feather are examples of piezo pickups. Some piezo pickups may require an additional preamp to boost the signal before going to a guitar amp or mixer, so keep that in mind when shopping around.
 
Soundhole pickups are another popular choice. They mount in the guitar’s sound hole, though they are easy to take out. They are resistant to feedback, and sound good at high volumes. Like piezos, the problem is that on their own they often sound overly artificial on their own. Soundhole pickups take the vibrations of the guitar’s strings and turn it into an electronic signal, so there is no real information coming from the wood and the guitar body. If you think about it, that is what makes an acoustic guitar different from an electric. Because of that soundhole pickups are often combined with a small internal mic to form a blended system, which is what we will look at next. Examples of soundhole pickups include the Fishman Rare Earth and the LR Baggs M1.
 
Blended systems combine two or more types of pick ups to form an amplified sound. Common choices are combining a piezo soundboard transducer or a magnetic soundhole pickup with a small internal mic. Such a mic is mounted on a gooseneck and sits right inside the soundhole, where it can be positioned for ideal tone. In a system like this the piezo or magnetic up provide much of the amplified signal, and then the microphone signal is blended in to add some natural air to the tone. Systems like this can often sound great, and are good compromise between a natural acoustic sound and something that will hold up under aggressive playing and volume.
 
Digital modeling is the latest advancement in pickup technology. With digital modeling an actual recording of your guitar is loaded into a small unit that sits outside the guitar, usually by the performer’s feet. Using some sort of algorithm that sound is blended with the signal from the guitar’s pickup to form an accurate representation of your acoustic sound. While I have never tried one of these systems in person I have heard amazing things about them. Manufacturers will let you send in a recording of your own guitar to be loaded into the unit. In addition there are commercially available recordings of many popular guitar models. It is pretty cool technology.
 
I think any of the options above can sound good, though some may require a bit more EQ than others to get the desired amplified sound. Though some people don’t like a piezo by itself i had one in my first guitar and it sounded fine for my light fingerpicking style. People who do a bit more hard strumming may like a soundhole pickup or one of the blended systems better. I think its good to go out and find a knowledgeable acoustic guitar store that stocks instruments with a variety of pickups and try them all through an amp. Short of installing every pickup in your own instrument it can be hard to know for sure, so you may have to make your decision based on guitars you can try, and reviews from other folks.
 

How to play guitar songs by ear.

Friday, August 28th, 2009

Hi Everyone,
 
One of the most fascinating things to me when i first decided to learn guitar was people who could pick up music by ear. I have seen folks who can literally learn a song after hearing it a few times. It seems like they listen to it one time, mentally mapping out the chords, then the second time they play along, fixing any mistakes, and the third time they have it. It is pretty amazing, and might perhaps seem like an unattainable skill to some. But i think it is something that is definitely doable to anyone who wants to put the work in.
 
The number one thing to remember when starting to learn by ear is patience. Unless you have previous experience training your ear to recognize pitch, like singing in the chorus, you are not going to have any sort of frame of reference. At first the simplest things are going to seem hard, but stick it out. I feel that learning by ear, at least for certain forms of music like folk, rock, and some forms of traditional music, is the way to go. You will be able to pick up songs faster, remember them easier, and eventually get to the point where you can hear something and just play it, or approximate it.
 
So lets look at the context of learning one of the so many easy guitar songs out there. Something like “Knocking on Heaven’s Door”, or “Louie Louie“. If you are just starting out the song should be relatively simple and only have a handful of chords. The first step is to just listen to it a lot. Around the house, in the car, when mowing the lawn. Get the overall structure and sound of the song in your head. Try to listen when the chords change, and see if you can start to hear when the same chords come around in the song.
 
The next step will be actually involve your instrument. Lets use the classic guitar song Louie Louie as an example. It contains the chords A, D, and Em. Make sure you are in tune with the recording, and then the first step will be to figure out what the starting chord is. This can be done by just using the 4th, 5th, or 6th string of the guitar, and playing a single note along with the first chord of the recording, trying to find the bottom note, or “root” of the chord. Try to find the bass note on your guitar that matches the pitch of the opening chord, and when you find the match it will just sound “right”. So for Louie Louie you will eventually find that the open 5th string matches the opening chord, A. From there think does the chord sound happy or sad? If its happy its A major, if it sounds sad its probably A minor. That is looking at it kind of simplistically, but its a good place to start.
 
After that listen to where it switches to the next chord, and repeat the process. You’ll find that the open 4th string matches the second chord, which is D major. The third chord is something a little different, an E minor. Listen to the difference, and how it sounds, and how the minor tonality is different from the A or D major.
 
This is a pretty simple example, but its a good first place to start. Find a few simple three chord songs that you like and give it a go at learning them. It can also help if can find chords written out, so you can check to see if the chords you chose were correct. One thing to keep in mind is that if the opening chord seems to be something weird like G# or C# than the player may be using a capo, which we will look at in another post.
 
After learning a few simple three chord songs, move onto to songs with more chords, and eventually songs that change keys. If a given song is to fast software like the Amazing Slow Downer and Transcribe can slow down mp3’s and keep them at pitch. Windows Media Player and Quicktime will also do the same thing, but don’t allow to loop sections like the other programs do.
 
So pick a song you like and get started. If you think with it I think you’ll find learning songs by ear a rewarding and fulfilling experience